Download e-book for kindle: Aesthetics of Negativity: Blanchot, Adorno, and Autonomy by William Allen

By William Allen

Maurice Blanchot and Theodor W. Adorno are one of the such a lot tricky but in addition the main profound thinkers in twentieth-century aesthetics. whereas their equipment and views vary broadly, they percentage a priority with the negativity of the art conceived when it comes to both its adventure and danger or its serious expression. Such negativity is neither nihilistic nor pessimistic yet issues the prestige of the art and its autonomy with regards to its context or its adventure. For either Blanchot and Adorno negativity is the major to figuring out the prestige of the art in post-Kantian aesthetics and, even though it exhibits how artwork expresses serious probabilities, albeit negatively, it additionally exhibits that artwork bears an irreducible ambiguity such that its which means can consistently negate itself. This ambiguity takes on an further fabric value while thought of on the subject of language because the negativity of the paintings turns into aesthetic within the additional experience of being either good and experimental, and in doing so the language of the literary paintings turns into a kind of pondering that allows materiality to be proposal in its ambiguity.

In a chain of wealthy and compelling readings, William S. Allen exhibits how an unique and rigorous mode of pondering arises inside Blanchot’s early writings and the way Adorno’s aesthetics depends upon a relation among language and materiality that has been broadly ignored. in addition, via reconsidering the matter of the self sufficient murals by way of literature, a crucial factor in modernist aesthetics is given a better severe and fabric relevance as a style of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers basically be certain the demanding situations and the chances that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen


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